Patrons: Heike Gunkel, Pedro Gunkel, Anne Krapp, Sven Quenzel, Al Titzki, Andrea Titzki, Thomas Zimmermann
Commission: We want a connecting element for the history and future of our city. This can be a new place, an occasion for gatherings, time spent together, or joint action.
Mediator: Lea Schleiffenbaum
Duration: 2024 ongoing
Program: Citizen-Commissioned Dance and Performance
Partners: Kulturstiftung des Bundes (German Federal Cultural Foundation)
Eisenhüttenstadt is a fascinating place—many visitors come for a day to admire the impressive architecture of this socialist model city and to immerse themselves in the history and aesthetics of the former GDR. Nostalgia thrives here. But Eisenhüttenstadt is more than a preserved monument. The New Patrons of Eisenhüttenstadt believe that for those who live here, daily life requires not just a look into the past but, above all, a bridge to the future—one that makes staying worthwhile.
“What good are all the symposia with people from outside if they then just leave again?”
Eisenhüttenstadt was built in the early 1950s around the newly constructed Eisenhüttenkombinat Ost steelworks. The town was intended to meet all the demands of everyday working life and was a showcase urban development project for the GDR. The residential complexes offered a department store, kindergarten, school, supermarket, newspaper kiosk, cultural center or youth club and sports and leisure facilities. The layout and structure encouraged togetherness and easy accessibility.
Today, less than 25,000 people live in the city that was once planned for 100,000 inhabitants. Many of them have borne the brunt of the major changes brought about by the fall of communism and are once again confronted with the current crises and challenges. Some are tired of dealing with ever-increasing change and are withdrawing into their private lives. Others – people with ideas and visions for the city – are often confronted with a lack of understanding, disinterest or bureaucratic hurdles. Trust and the joy of opportunities to help shape the city are dwindling in a place that was once built with and by the hands of the population. Many residents share a feeling of the devaluation and musealization of past achievements with other people in East Germany.
The New Patrons of Eisenhüttenstadt want to work with an artist to create impulses that awaken a positive awareness of the urban development achievements, testify to their raison d'être and make them fit for the future. They want to find cross-generational visions for the future for what was once well thought out and used – so that their city can function and grow.

The New Patrons of Eisenhüttenstadt
Pedro Gunkel, patron Photo: Victoria Tomaschko
The New Patrons of Eisenhüttenstadt
New Patrons Andrea Titzki and Heike Gunkel Photo: Victoria Tomaschko
The New Patrons of Eisenhüttenstadt
Anne Krapp, Patron Photo: Victoria Tomaschko
The New Patrons of Eisenhüttenstadt
Al Titzki, Patron Photo: Victoria TomaschkoThe Patrons are less interested in bringing about lasting change on the outside of the city – they are primarily interested in making a difference on the inside of the local people, in their perception. With an artistic work – for example a new place, an occasion for meetings, time spent together or a joint action – they want to initiate new ideas and energies for co-design. The earlier claim of an "ideal city" has given rise to many false expectations. What they want is a lively real city. Without a nostalgic mood, but with respect for what makes this city what it is.